However, in this episode, this is where the story really begins. Now, if Frank Grimes’ story was to end here, it would be a true underdog story, a man starting at zero and rising to the top.
Burns sought to hire him as the Executive Vice President of the Power Plant. He experiences a blimp immediately after this as a bird tries to steal his diploma.Ī week after, Frank Grimes’ fortune soared higher, when his segment in Kent’s People aired and Mr. At 35 years old, he received his correspondence school diploma in Nuclear Physics, with a minor in determination. Seventeen years past since his accident, working hard and persisting, Frank Grimes finally crosses the line from ill fortune into good fortune. Gradually he climbs using his leisure time to study science by mail. Grimes recovers, slowly rising upward, and begins learning to hear and feel pain again. The bottom falls out and we find our character as low as he’s ever been. Fortune continues going down for many years until his 18th birthday, when Frank Grimes is blown up in a silo explosion. Orphaned at such a young age, this set his life into a downward trend.Īt least he gets a job, but he doesn’t rise up far, for it’s a job as a delivery boy, delivering toys to richer more fortunate children. At the age of four, Frank Grimes was abandoned by his family. Yet early in his story, he is stricken with bad luck.
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Using this graph we can see the story of Frank Grimes unfold more clearly and recognize how to use triumphs and failures to build a character.įrank Grimes’ life begins like any other somewhere just above good fortune for having been born. On the horizontal axis (The B-E axis) the left is the beginning and the right is the end of the story. On the vertical axis (The G-I axis) top represents good fortune for the character (they get a promotion, they get married, or they win a championship) and at the bottom ill fortune (they get sick, they get fired, or they lose everything in a hurricane). In a 2004 lecture, the author of Slaughter-House Five, Kurt Vonnegut showed the variety of shapes a story can take on a graph he drew on a chalkboard. What happens to this character? What does he or she do from beginning to end? And do those events and actions yield something good or something bad? This can be done by monitoring how the character moves up and down the rankings of fortune. But what was it that made Frank Grimes so relatable yet so tragic? It was the shape of his story.Ĭharting characters’ journeys through a story is a good way to ensure they don’t stay stagnant.
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